I was looking for a dependable, flexible and most importantly quiet power supply for my secondary pedalboard — Boss Loop Station, EHX Freeze, Arion SD4, DigiTech PDS-1002 and a TCE Wiretap. I had heard about TRUETONE’s new “pro” line from a friend of mine who was contemplating buying a VoodooLab Mondo I was selling — I’d trimmed my big board down, stepping down to a Walrus Audio Aetos power brick.
Best intentions aside, I eventually realized that (of course) I was going to need an additional power supply. I liked the Aetos both functionally (keeps things quiet, doesn’t get hot, bright blue LEDs so I know when it’s on) and aesthetically, but instead of just grabbing another one, I went trawling on Reverb for some other alternatives. I’d been through most of the VoodooLab series at one time or another, and have never had a bad experience with one, but I always balked at the prices. And, yes, the Walrus Audio power bricks are over-priced, too, but I found mine for an almost literal steal on Reverb, so there!
Anyway, I’ve been through several Dunlop DC Bricks and the various Chinese knock-offs (the quietest of which was the first one I purchased: a Mooer Micro). What I wanted was something with the features of the VL’s, but with a lower price tag and, preferably, a more compact size. I’m using an amptop HoleyBoard for the ‘extra’ pedals, so it needs to be something I can strap under the board and still allow enough clearance for the feet of the HoleyBoard to sit evenly on a flat surface. I remembered that my friend had been happy with the PRO CS12 he’d picked up instead of the Mondo, so I hit the wilds of Reverb until I found a great deal on a nearly-new CS7.
Sorry for the long wind-up, but the pitch is this: the PRO CS7 is great. Maybe not as pretty as the Aetos, but who’s looking underneath my pedalboard anyway? Plus, with all of its great voltage options, I’m seriously thinking about switching places between the CS7 and the Aetos, as the Walrus Audio supply has everything I need for my loop/sample/mangle board and the CS7 would allow me to run a couple of my main pedals at higher voltages for more headroom. I hope this review was helpful. Please visit my Reverb store to check out some of the funky gear (always coming and going, you know how it is) — and rock on!
With a name derived from its Sex Pistols-inspired color scheme, the “Swindle” distortion pedal from UT&T seems designed to emulate the BIG GUITAR sounds of the ’70s. With just two knobs — volume (left) and gain (right) — the Swindle delivers a trouser-load of boost and a smoothly ascending gain. The controls are very interactive, eliciting a surprisingly wide range of raunch, and the pedal cleans up quite nicely with a some roll-back on your guitar’s volume knob, making it a prime candidate for an “always-on” tone shaper that can also cut through the mix when it’s time for your solo.
Check out my no-frills video for some Swindle riffage: